Day Fifty-One - 31/10/2012 - Cork

     This particular Halloween started out normal enough.
     I had gone to the Bookshelf to catch up on blogging (the caffeine helps), but there were already tell-tale signs of the night to come.  The barista painted his face white, wearing a scratched up, white tee shirt with blood stains.  I sat down at a couch resting on a dismembered hand.
     On the way back home, Meng and I picked up some last minute costume items before dinner.  After dinner we completely unintentionally ran into the beginnings of a Halloween parade.  I later learned that this was the seventh annual Dragon of Shandon parade, put on by the Cork Community Art Link, a group that involves young people in the community in participative art projects.  The parade featured a large number of hand-carried floats, all various interpretations of the underlying macabre theme.  There were skeletons four metres high, playing trumpets.  Alternating between the floats were various bands, dancing, and other local groups who performed in full costume and even got quite ambitious with scaring the crowd.  A particularly eerie giant euro was rolled down the street with a life-size skeleton affixed to the face depicting "Eire" and the harp.  About halfway along the parade, a huge steam train shaped in the face of a dragon started down the street, smoke billowing out of its metal nostrils.  The ten-car train was made up of people walking in the spherical coaches, forming part of an elaborate float.  A massive ship, modeled of bone came next, with moving bat-like wings, barely fitting in the confines of the street.  A dancing group performed next, followed by a huge fish skeleton that wiggled through the streets.  The namesake of the parade formed the finale.  The sounds of two large drums announced its arrival, beating rhythmically, warning of an impending doom.  You suddenly became aware that these drums had been beating, their noise echoing off of the streets, for the duration of the parade, but you only just noticed them.  And then, you see it, the bleached white skull with the massive jawline, the bright pinpoints of light that constitute eyes, the webbed horns on its neck: the Dragon of Shandon.
     After that impressive and unexpected display, Meng and I prepared our costumes and met up with Andrew, Melina, and Alex.  Meng dressed up as a flapper girl, I as a leprechaun, Andrew and Melina as Titanic passengers/young artists/a 1920s couple, and Alex as Walter White, of Breaking Bad fame, after an explosion in the kitchen.

Day Fifty - 30/10/2012 - Cork

     I spent most of the day in the Bookshelf today, being productive (relatively).  I managed to finally get around to voting, and catch up on some classwork.
     Meng and I went to the Well tonight to relax for a bit.  We began talking about the various posters that are hung on the wall of the pub.  They have posters promoting their microbrew, with catchy slogans.  Blarney Blonde has a man quoted as saying, "The name's Blonde.  Blarney Blonde."  Rebel Red has a Munster man who is "Rebel by nature.  Rebel by name."  Friar Weiss is "heavenly", with a depiction of the pint-bearing glass donning wings and floating upon a cloud.  There are loads of posters from the various festivals that the pub participates in, notably the Easter Beer Festival and the recently concluded October Beer Festival.  It was interesting to see the artwork change over the years and the different ideas used to market the events.  I mentioned that the Rebel Red poster would look pretty awesome in my room in San Diego.  Meng said that I could get one of the October Beer Fest posters and frame it with a cheap frame to make a similar keepsake.  I agreed.
     The best part was, when I inquired as to leftover posters, fully intending to pay for one, the bartender asked, "Is that one good?" pointing to the poster affixed to the huge tanks of microbrew behind the bar.  A small piece on the bottom of the poster clung to the beer container, which makes it all the more special.  It truly is a one-of-a-kind souvenir, straight from the pub itself.

Day Forty-Nine - 29/10/2012 - Cork

     Quiz night at An Brog, advertised to start at 9.  In reality, it started at half nine.  But it was no matter, since they left crossword puzzles on the table.
     When quiz night did start, it was Halloween themed, with six rounds.  Rounds included general knowledge, film, music, and various phobias.  Our team got fourth place out of about ten teams.  One of the useless bits of knowledge that came up during the general knowledge round was that Irish people used to carve turnips and potatoes before pumpkins were introduced.
     We took the penny cab home, although it was quite cold and windy.  Still, worth it for the experience.

Day Forty-Eight - 28/10/2012 - Cork

     This Sunday, we headed to Puccino's for brunch.  Puccino's is a little cafe on Paul Street, and you really have to go there to appreciate it.  From the outside it doesn't look like anything special, just a blue tarp awning over a few tables and a modest sign advertising their breakfast.  The character of the place starts to reveal itself as you walk through the tables.  A careful look at the wall decoration will show that they are all hand-drawn paintings featuring the cafe's name.  One such painting shows a box of cereal labeled "Puccino's Receipts".  Another features a book titled "Cappucino: Fading Memories".  As we sat down at our table, waiting for coffee, I noticed that the sugar packets had different sayings on them.  Labeled either "White Sugar for Commoners" or "Brown Sugar for Snobs", the backs of the sachets had varied sayings.  A couple favorites: "Think of better thing to write." (brown), "Best before whole packet disintegrates," (white), "Take photo of and post on internet." (brown - and yes, I was tempted), "Add to loserish collection." (white - indeed, I had laid them all out on the table, but did not take them).  When the food did arrive, the plates were inscribed with "This plate has been tested on humans for breakabovetheheadability".  The coffee saucers read "In the dishwasher, nobody can hear you scream".  My macchiato came with coffee beans floating amongst the foam, a very nice touch.  The receipt bears the description "For the discerning wallet".  This cafe was definitely an experience.
     Later that night, we went to the Woodford to hear some Jazz, but once again found it to be quite crowded, and instead headed to the Bodega.  The Bodega features part of the Irish Market, built to challenge the English Market.  The market, known as St. Peter's Market, was established in 1843.  It charged less rent and had lower prices and quality than the English Market, quickly making it known as the Irish Market to distinguish it.  The Bodega today stands reminiscent of the awesome quality of the market with its lofty ceilings, towering columns  and elaborate chandeliers.  The market, however, was doomed, as continual street trading and the English Market drew business away from it and it lost money year after year.  The market, and the nearby clothes trading area known as the Bazaar, were soon doomed by the First World War.  They were partially converted into a shell factory and after the war there was very little interest for traders to return.  Today, the Bodega operates in the confines of the market, giving new life to the magnificent building.  When we were there, we listened to United Vibrations, providing great ambience.  Meng had a glass of the house red, which tasted remarkably buttery, with an aftertaste that reminded you of popcorn.  Later, Lazy Habit began to play, but their music did not seem to match the varied crowd nor the classy venue.
     We met up with Alex's friend who had been visiting from Dublin and headed back to the Well for the last day of the Beer Fest.  The casualties included a strawberry beer (much more beer-like than its juicy raspberry cousin), a black cherry beer (amazing), and two tripels (made from three types of wheat, with a whopping 10% alcohol content).

Day Forty-Seven - 27/10/2012 - Cork

     Despite having been in Cork for over a month, I had never managed to make it to the Saturday Corn Market, aptly named for its location on Corn Market street.  Today, we went.  There were many stands with the usual wares: bread, jewelry, trinkets, etc.  I bought a jar of Plum and Rum jam (very good) to go with my spelt soda (the delicious brown bread served in cafes).  Meng and I also picked up some meat pies, little meat-filled pot pies that heated into a nice lunch.
     Wandering the streets, we ran into another fantastic part of the Jazz Festival: the food stands on Patrick Street.  There were stands for almost every genre of food imaginable.  There were multiple crepe stands, a gourmet sausage stand, Indian food, fried fish, grilled fish, mixed nuts, candy, and loads of baked goods.
     A little ways down the road, we bumped into a strange sight on Oliver Plunkett Street.  There was a cage filled with hay, housing two goats, parked on the side of the street.  Apparently, a local charity was running a petting zoo.
     Back on Patrick Street, an artist was completing a massive, three-metre long sidewalk painting of the Titanic and related scenes.  The Jazz Festival brought a new atmosphere to Cork, with the sounds of street performers resounding from every street, the noise of the busy street markets, and a general good mood filling the air.
     Walking back home, we stumbled into a live performance by the New York Brass Band in front of the Crawford.  The festival organizers had apparently paid for them to make the trip as part of the Fringe Festival, the name given for the street performances, and after a few minutes of listening, it was clear why they were imported.  Near the end of their show, the band walked down from the stage and through the crowd, continuing the song, and back to the stage for the finale.  Just as we were leaving to head towards home, we had a rare sighting of the Guinness Quality Team van.  Guinness is notorious for sending out these representatives to visit and test the pouring skill and taste quality of local pubs serving Guinness.
     The Franciscan Well was hosting an event of its own this weekend, The October Beer Fest, in which they had about thirty imported beers on tap for the weekend.  They opened up a heated beer tent for the weekend along with a barbecue.  Meng sampled a raspberry beer, which was practically fruit juice, and I had a dark ale.
     We headed to Costigans, one of Cork's oldest pubs, to listen to Tupelo.  Costigans was giving out free straw hats that evening, with no explanation.  We finished up the night by returning to the well for some other beers.

Day Forty-Six - 26/10/2012 - Cork

     UCC has an on-campus art gallery called the Lewis Glucksman Gallery, which has been running an exhibition titled "Motion Capture" looking at the process of film making and producing.  The building which houses the gallery is impressive itself.  A four-story structure of glass, concrete, and brushed metal, the building simultaneously rises above its landscape while integrating into it.
     The gallery is free, with a suggested donation.  The first floor featured a wall-dominating print of a network of white lines on black paper.  A later floor explained that this, and the series of similar works, were representations of the work of a film editor.  The canvas was the editor's workspace, and each stroke of his marker was recorded as a thin white line until the final work of a couple thousand lines was printed.  Another room showed a short film about Apartheid in South Africa.  The film was animated using charcoal drawings, which made for an interesting effect, as each canvas held the history of previously scratched out iterations of the active subjects.  A bird flew across the foreground, leaving bird-like shadows in its wake.
     To be perfectly honest, the rest of the gallery was a bit too progressive (read: abstract) for me to appreciate (read: understand).
     We celebrated the first day of the Jazz Weekend by going to Crane Lane, where Pokey LaFarge, a prominent bluegrass musician was playing with his band, the South City Three, all from St. Louis.  The band, but especially Mr. LaFarge, look as if they walked out of the 1950's.  They were quite  good, and the theatre was crowded to the degree that the Woodford was yesterday.  The music encouraged us to stay, and it proved to be an enjoyable evening.
     After Crane Lane, we headed to the Old Oak, where UV 5 was playing.  UV 5 covered a lot of popular songs providing their own vocals, but it wasn't really working.  It was becoming evident that "Jazz" was a term used loosely for the festival, but that was part of what made the festival so enjoyable.

Day Forty-Five - 25/10/2012 - Cork

     There is a bridge crossing the River Lee just west of Fitzgerald Park's rose garden known locally as "The Shakey Bridge".  It's official name is Daly's Bridge, the only suspension bridge in Cork city, constructed in 1927.  It acquired the colloquial name from the noticeable shaking of the bridge in the wind.  If you walk to the center of it, and jump up and down, you can see the bridge bouncing in reaction to your movement, something far less frightening than it sounds.
     Tonight marked the opening of the Cork Jazz Festival, a weekend of music, street performances, and other shows.  Meng and I headed to The Woodford on Paul Street, which had apparently been the opening venue for the festival, as we walked in to see the Lord Mayor shaking hands with the musicians.  We stayed for a bit, but there was hardly standing room in the venue.
     After finally emerging from the crowd, we went down the street to The Roundy on Castle Street.  The place is known for not having a corner in the place, and living up to its name, all the walls are curved.  The bars, tables, stools, and even most windows are round as well.  They had a smaller room upstairs with music, featuring an acoustic guitar player.  He never introduced himself, but said that this was his going away party.  Looking around the room, it seemed that this was a semi-private event as the singer seemed to know everyone else in the room.  Feeling somewhat intrusive, we stayed for his little concert which lasted three songs.  He was quite a good singer.
     Later, we returned to the Woodford, finally finding a seat and spent the night enjoying the music of The Mo Tones.

Day Forty-Four - 24/10/2012 - Cork

     Today was Wednesday, also known as one-week-from-Halloween day.  Naturally, that meant pumpkins.  Meng and I invited everyone over to our house for a pumpkin carving party.  We toasted the seeds with some garlic and olive oil (and promptly devoured all of them).  Incidentially, neither Andrew nor Melina had carved pumpkins before.  It was great craic.
     Picture from left to right: Music Note - Andrew; Cork City Coat of Arms - Jason (me); Castle with Ship on Side Not Pictured - Meng; Giant's Logo - Alex; Jill-O-Lantern - Melina.

Day Forty-Three - 23/10/2012 - Cork

     While walking along North Main Street today, the gates of St. Peter's Cathedral were open.  This was a spectacular occurrence  as this was the first time I had seen them opened, despite walking past them almost every day.  Figuring that this may not happen again, I decided to investigate.  The cathedral itself is fairly standard from the outside, the bell tower sandwiched between two adjacent buildings.  The building itself, has been completely retrofitted inside, and no longer functions as a place of worship.  It is now a visual arts museum, called the Cork Vision Centre.  Donations to the exhibit go towards refurbishing the church, which has largely been restored by the Vision Centre.
     Upon walking into the exhibition, a huge scale model of Cork occupies the first floor.  The model is made mostly from paper bits, showing the buildings and topography of the River Lee and the old city of Cork, the "island" lying between the two tributaries of the Lee.  The model is complete with miniature trees and reliefs of the buildings found in Cork today.  I immediately located my residence and remarked at how close some of the things I had been hoping to see really are.  Cork is not a very large city, a fact made even more obvious when presented with a model of it.  UCC was outlined in the map as well, even marked as one of the points of interest, of which the exhibition had several.
     On the second level of the small showroom, there was a collection of historical photographs of Cork.  One shot showed the North Mall as it appeared in 1960.  A now absent bridge, pictured east of St. Vincent's Bridge, lays in front of the facade that has not changed much till today.  I could easily make out and recognize the same buildings and trees there today.  Other photographs showed the visit of President John F. Kennedy, and various sports celebrities.
     Although small, it was a nice little exhibit, and I was quite impressed with the model of Cork City.  Just before exiting the building, I saw a small section that had the original stone flooring and headed in. There was a figure of St. Peter carved into the wall, part of the original cathedral.

Day Forty-Two - 22/10/2012 - Cork

     Spent the day recovering from the weekend in Galway and trying to get over my cold.  I did however, spend a lot of time improving the blog today.  I have added an interactive map, showing pins marking the places I've been within Ireland.  You can access it by pressing the "Interactive Map" link near the top of the right side bar.  Once there, you can click on the individual pins to be linked to the blog post corresponding to the location.  Hover over a pin to view the name of the location.  I've decided to use that page as a kind of guestbook as well, so if you are so inclined, leave a comment with your location as well.

Day Forty-One - 21/10/2012 - Galway

     After a welcome morning of sleeping in, the gang went to get a full Irish at Elwoods, as the hostel offered a €7 deal.  A full Irish comprises of sausage, hash brown, fried egg, a roasted tomato, black and white pudding, and toast with coffee or tea.  From there, we walked back to Kennedy Park in Eyre Square, where I happened upon a large stone facade.  The Browne Doorway, part of the mansion of Domonic Browne, dating from 1627, had been moved to the park in 1905.  The doorway exhibits renaissance design, and stands as a massive monument at the head of Kennedy Park today.  From the park, we walked down William Street.
     We passed by a statue of Oscar Wilde sitting on bench, pausing to take awkward tourist photos.  From there, we continued to the intersection of William Street with Abbeygate Street, where Lynch's Castle still stands, erected in the early sixteenth century.  It served as home to some of Galway's most influential residents, the Lynch family.  Various members of the family served as mayor and had other influential roles in the city.  Today, the intact castle functions as an Allied Irish Bank building.
     From Lynch's castle, we walked down Shop Street towards Lombard Street, passing a small outdoor market in front of St. Nicholas Church.  The market had all manner of hand-made wares for sale, from hats and mittens to speciality soaps to baked goods.  There was one stand which had pre-Euro Irish coins, which I found very interesting, but the shopkeeper wanted €7 for coins that were not in any particularly good condition.  At this point, I had reached the end of the small market, and a saw a food truck selling Indian food.  I saw a familiar face in the line for food, but wasn't sure, so I headed closer to investigate.  Sure enough, Stephen, the backpacker who I had met on the ferry to Inis Oírr, was waiting in line to buy food.  We had a brief chat, in which he explained that the nearby St. Nicholas had sculptures from the medieval period.  The faces had been shaved off by Cromwell's forces, enforcing their iconoclast ideology   These shaven-faced statues were still standing in the church today.  I told him I would check it out and he got his food to head off and enjoy some people watching at a local cafe.
     At this point, we visited St. Nicholas' Collegiate Church, known as the largest medieval parish church in Ireland still in use.  It was built in 1320, and expanded througout the years.  The church had a short guide available for visitors that boasted of the fact that Christopher Colombus, while he was in Galway in 1477, most likely worshipped at St. Nicholas'.  I was hesitant to spend much time in the church, as there was a family having their baby baptised.
     From there, we walked over the Quay Street, at the bottom of High Street, where the Thomas Dillon Claddagh Gold Shop, established 1750, was located.  The makers are known for being the oldest crafters of the ring in question, and the only place able to stamp their rings with "Original" stamps approved by Dublin Castle.  They feature a "museum" which is little more than one room with loads of posters and rings crammed into every nook and cranny.  While cramped, it was informative, and something of a collection of interesting correspondance.  The ringmakers produced a ring for the Royal Family, among other celebrities.  Ring collectors in Boston have traded pieces for original Claddagh Rings.  They even feature the world's smallest Claddagh Ring (you have to look through a provided magnifying glass to see it).
     From there we walked down Quay Street to the River Corrib, running into the Christopher Colombus monument, marking his visit in 1477.  He had stopped in Galway during a voyage to Iceland or the Faroe Islands.  Just down the river and marking the beginning of The Long Walk, a long street of quays, stands the Spanish Arch.  There are actually two arches, one being closed by a gate, containing a fireplace built in 1602 with the Lunch Coat of Arms, and the other open as a walkway.  The Spanish Arch was built as an extension of the city's walls to protect the quays.
     Behind the arch stood a cafe called Ard Bia at Nimmo's, housed in a building that appears at least as old as the arch itself.  The building, made of similar stone, is built into The Long Walk, and serves as a wall, comprising a bank for the River Corrib.  After coffee at the cafe, some of the female members of our party fancied themselves Claddagh rings, a desire which we obliged them.
     As our trip to Galway was winding itself down to an end, we made a stop at a local grocery to buy sandwiches for dinner on the bus trip home.  Allured by the vast beer selection, we all picked a bottle.  Alex and I sampled Galway Hooker, a locally brewed pale ale named for the iconic boat.  We caught the CityLink bus back to Cork, wrapping up a brilliant weekend.

Day Forty - 20/10/2012 - County Clare

     At the recommendation of one of the guests at the hostel, we booked a tour with the Galway Tour Company, said to be a good value with a decent itinerary.  The bus picked us up at the hostel, and we got a discount (Kinlay House Galway has to be one of the nicest hostels in Ireland).  The bus first stopped at Dunguaire Castle in Kinvarra, County Galway, a small castle overlooking an expansive region of Galway Bay.  The tour bus was inhabited mostly by Americans, with a spattering of Russians and Asians.  To my dismay (and that of my travelling companions) the castle stop was so small that there was no single opportunity to get a picture without loads of tourists doing the same thing.  Feeling rather unsatisfied with the prospect of spending the whole day on the tourist trap of a bus, sticking out like sore thumbs, we got back on the bus for our next stop.  As we drove through County Galway, the bus driver started to grow on me as he took time to point out the history of the passing countryside.  Connacht, the west region of Ireland, was the worst hit by the Great Famine of 1845, with most of its residents dependent on the potato.  The land at this point in time was owned mostly by Anglo-Irish landlords who leased the land to Irish tenant farmers.  When the Irish farmers could no longer afford their rent, they were evicted, and essentially starved or emigrated.  The relief program of the time was modeled with a laissez-faire mentality, and so aimed not to affect market forces.  Thus, food aid could not be given for free, but the labour exchanged for food also must not be productive so as to not unfairly influence the market.  One of these projects involved building "penny walls", later known as famine walls.  These stone walls were built over the surrounding mountains, literally going nowhere, and often times built in incoherent order.  They stood as haunting reminders of the past through the remainder of County Galway.  On a more uplifting note, we passed a local celebrity, the dancing dog.  This particular dog goes mad when a tour bus comes by and runs in circles, before chasing the bus.
     We stopped at a bed and breakfast along the way that had agreed to let us use their toilets.  Our bus driver encouraged us to buy coffee as compensation.  I decided to forgo the awkward venture and instead admire the view of Galway Bay from the coastline.
     Another stop at Ballyvaughan for the earthen faerie rings, or fairy forts.  These structures were actually the residence of Stone Age peoples, who formed partially enclosed circles by means of building up about 2m of earth wall forming an enclosure in which they would build three houses.  These houses shared a food store built into the ground, which later peoples deemed to be an entrance to the Underworld, spawning the superstition and immediately making the rings the domain of faeries.
     After that, we made a stop at the Poulnabrone dolmen, a 5800 year old tomb built by Stone Age people to bury their important dead.  The tomb housed some thirty bodies, resting south of Ballyvaughan, in the tundra-like environment of stone.  The remarkable formation resembles a deck of cards, with two portal stones supporting a capstone 1,8m above the ground.  The capstone weighs some 1,2 tonnes, supported by relatively slender stones in a configuration seemingly unlikely to survive for millennia.  The Poulnabrone dolmen is, in fact, the oldest known dolmen in the world.
     At this point, after warming up to the concept of touring by bus, we stopped in Doolin, County Clare for lunch.  Our entire bus (including the two that had been following us) stopped at O'Connors, next door to the Doolin Chocolate Factory.  During lunch, Andrew and Melina related some of their adventures in Country Kerry, and the infamous Ring of Kerry.  They said that the tourism today was small-scaled compared to Kerry, where every stop had a minimum of six buses, and the pubs contained literally not a single Irish soul.  After a delicious lunch of seafood chowder, we went to the chocolate factory, where I bought a slice of Stout Fudge, a dark chocolate fudge with a hint of Guinness, in other words, a slice of heaven.
     Finally, it was time for the hallmark of the trip: The Cliffs of Moher.  Located in County Clare, with a magnificient view of the Aran Islands, the Cliffs are indeed hard to capture in words.  Pictures may show the majestic beauty but inevitably lose the scale.  The cliffs span 8 kilometres, and the car park rests somewhere in the middle, letting you choose to go left or right.  To the right is O'Brien's Tower, and to the left are the main span on the cliffs.  Just below the Tower, out to sea, is the Branaunmore sea stack, a pillar of rock jutting out of the sea, inhabited by puffins, and causing some impressive ocean spray.  Upon arriving at the cliffs, Meng and I quickly headed towards the left (definitely a place to utilize the buddy system) towards the cliffs.  There is an asphalt path constructed about 5 metres from the edge of the cliffs, with a 1 metre wall built to protect a natural habitat in the grassy ground atop the cliffs.  Furthur up the cliffs is a staircase of stone, leading up to a viewpoint.  So far, I had been wondering about the stories I had heard of being able to walk up to the edge of the cliffs and look over, unlike American tourist sites.  So far, everything was walled off and very protected.  A little ways up the cliff, about a half kilometre, we reached the end of the official path, but that hadn't stopped an endless train of people hopping the stone wall to continue on the unpaved clifftops.  These were the cliffs I had heard of.  In a sort of sick irony, the spot where everyone was hopping the stone wall was marked as a memorial to those that had died on the cliffs, providing a word of caution as you slipped over the pavement into a muddy, mostly single-file path.  At points, the path widened up and even became grassy.  At other points, it was maybe half a metre wide, with a 200 metre sheer rock face to one side and a muddy slope to the other.  I may have risked more than was necessary to get some shots of the drop, but I did employ the army crawl and aforementioned buddy system.  Pleasantly, the cliffs were not very crowded, especially considering the amount of traffic that the area normally gets.  All things considered, the Cliffs of Moher alone made the trip to Galway worthwhile.  I did not spend any time in the visitor centre as it was a brilliantly clear day, but they have built it into the side of the cliffs like a hobbit hole, allowing you to view the cliffs from an indoor venue.
     On the return trip to Galway city, we stopped at a place known as the Baby Cliffs, a miniature of the Cliffs of Moher, which was nice in that it was visited solely by our bus.
     Back in the city, I decided that, despite the bus driver's charm, I had definitely had my fill of guided tours, and would avoid them in the future.  We had dinner at McDonough's, where Meng got fried Plaice and Andrew tried fried Ray (which was quite bony).  Afterwards, we wandered back towards the hostel, stopping by a gelato shop when suddenly the sound of drums and brass was heard.  I looked towards the street to see two people on stilts, swinging flaming batons, leading the St. Patrick Brass Band Society through High Street.  A small crowd had started to follow them.  They passed the gelato shop twice as we made our purchases.
     We returned to the King's Head for some drinks with three Russian students we met at the hostel.  We had a lively conversation about politics and American misconceptions of Russia.  It was humbling to realise just how fortunate I really am.


Day Thirty-Nine - 19/10/2012 - Inis Oírr

     We woke up early to take a bus to a ferry to the Aran Islands.  The hostel had a deal worked out with one of the tour companies, and we got on the bus across the street from the hostel.  There are three Aran Islands, Inis Mór, Inis Meáin, and Inis Oírr, from largest to smallest.  Our group had decided to take the less traditional route and visit Inis Oírr, the smallest and most eastern of the islands.  After an hour long bus ride through the dramatically sparse landscape of County Clare, we arrived at the ferry station at Ros an Mhíl.  The ferry to Inis Mór was filled to the brim, standing room only, on a very cold and windy day in the Galway Bay.  Our ferry was large enough to accomodate 200 passengers, but was filled with 15.
     On the ferry, I started chatting with a guy named Stephen.  He had backpacked through Australia and New Zealand, alternating between work and surf.  He had come back to Ireland recently, in light of the economic downturn, as he found it to be an exciting time when people had to get inventive.  He had spent five years in Galway, working with some environmental groups.  Along the way, he pointed out a small circular tower built along the coast.  These towers, called Martello Towers, were built by the British Empire during the Napoleonic wars when they feared an invasion by the French or Spanish, which never occurred.  Standing about 6 metres high, they could garrison 20 men and house a piece of artillery.
     Stephen had visited all of the islands except Inis Oírr, the island he was headed to today.  He had some distant relations on Inis Mór, and planned on spending the next two days hopping between the islands (there is apparently some world class surf off the north shore of Inis Mór).  He brought up some of the history, as the islands encapsulate some very old remnants of historical Ireland.  Some of the first people to settle in the Galway Bay were Moors from Spain who travelled north in their fishing boats.  Indeed, the famous Galway Hooker, a type of fishing boat, is heavily derived from Moorish design.  The garb of the islanders resembles the fishermen's clothes of old.  Musical styles, not only in Galway but across Ireland, share themes with ancient Moor music.  At this point, Stephen brought up an interesting point.  He had been fluent in Irish, but lost it, and was now trying to learn again.  The Irish for a black man is "fear gorm", which translates literally to "blue man".  This apparent misnomer makes sense if you consider the association between the Moors and the colour blue.  The Moorish fishing ships were often painted blue, with blue colours, and blue garments.  Even the Moorish towns were typically blue.  The Moors were the first dark-skinned people that the Irish had encountered, explaining this linguistic anomaly.
     By this time, the boat had docked, and I said goodbye to Stephen.  Our group of five wandered from the port into the village, containing most of the island's 300 residents.  We stopped at one of two pubs on the island (incidentally the one hostel on the island was closed as the owners were at a wedding on the mainland), called Pádrais Ó Conshaile.  My Guinness came with a shamrock delicately carved into the head.
     After a brief lunch, we headed west, into the middle of the island.  Walking inland from a white sandy beach, we stumbled upon a playground outfitted with a zipline on which we spent the next fifteen minutes taking turns.  After the fun and games, we walked up the road passing some stone walls.  The walls were, quite literally, stone stacked upon stone, and most had large gaps, which I surmised was due to their old age and abuse throughout the years.  I would later learn that the walls were crafted with holes between the stone purposefully, in order to allow the wind to blow through the wall rather than knock it over.
     We passed a small, three-storey castle called Caislean Ui Bhriain, but weren't able to get close to it.  The majority of the island is covered in rectangular plots of cattle-grazing land, separated by stone walls.  We walked through this scenery, remarkably shire-like, until making sight of the lighthouse on the North shore.  At this point, we realized we were somewhat lost, but on an island that takes no more than an hour to transverse by foot, this was not much of an issue.  It surely didn't stop us from feeding some ponies or watching the cows and sheep.  Near the middle of the island, we stopped at the Bed and Breakfast on the island, Radharc An Chaisleán, meaning Castle Cafe.  The owner was quite friendly, and although a Dubliner herself, was very well informed on the history of the island.  We had an illuminating conversation that touched on the Moorish influences and customs of naming the islanders.  There are only six surnames on the island, and thus, people choose descriptive first names to avoid too much duplicity, usually involving personality traits or their trade.  On a more serious note, she explained how most of the island survived from cattle and fishing, but fishing was a dangerous profession.  Villagers would wear unique jumpers (sweaters) in case their boat was smashed against the volcanic rock surrounding the island.  Oftentimes, only pieces of the jumper were found, letting the family know the fate of their fisherman.  The way of life that the people of Inis Oírr have is not easy, but it does seem to make for a tight-knit community.
     After tea at the Bed and Breakfast, we walked, past the graveyard, to the Loch Mor, a large lake admidst more cattle fields.  A short distance past the Loch was a truly fascinating sight, the wreck of the Plassy.  The Plassy was shipwrecked in 1960, during a particularly bad storm that literally threw the ship up onto the rocky beach.  The villagers on the island heard the commotion and came to the aid of the crew.  Using a rocket fired at the mast of the ship, the islanders used a breeches buoy to save all 11 members of the crew.  Not a single person was injured from the wreck.  Today, one sailor survives the group of 11 saved that day.  He, like his comrades before, still makes an annual visit to the island to thank the villagers that saved his life.
     We took the ferry back to the mainland, and a bus trip to return to the hostel.  The hostel offered a free pint with dinner at Busker Browne's on Cross Street, which we availed of.  Finally, we stopped at a little sweet shop called the Pie Maker, sampling Banoffe (Banana-Toffee) pie.

Day Thirty-Eight - 18/10/2012 - Galway

     After class today, we took the CityLink bus to Galway, a three-hour ride through a lot of suburban Galway neighborhoods.  Irish suburbia looks basically the same as neighborhoods in Orange County.  We finally arrived in Galway, our bus stopping a few streets from our hostel, the Kinlay House, in Eyre Square.  We checked in, walking up to the room.  First off, our booking was a room en suite, a marked improvement from the hostel we stayed in whilst in Dublin.  The rest of the room, including the common room, kitchen, and WiFi proved better as well.
     Famished from the long bus ride, we started walking around the city, looking for a pint.  We walked from the hostel past Eyre Square, a green area near the city centre.  We walked down William Street to High Street, which was lined with pubs.  The first place we stopped was the King's Head, so named for the execution of King Charles I.  The building was first seen in maps from the 13th century, and served for a time as the residence of Thomas Lynch Fitz-Ambrose, Mayor of Galway in 1654.  After the execution of Charles I, Cromwell's army laid siege to Galway, and eventually, Colonel Peter Stubbers of Cromwell's Army was dubbed military Governor of the city, seizing the residence at 15 High Street, where Lynch used to live.  It was rumored at the time that Stubbers neighbor, Richard Gunning, had been the executioner of the King.  Later research suggests that Stubbers himself had done it, due to some personal grievances with the King, and his timely disappearance.  The building changed hands many times before becoming the pub it is today, but it does feature a fireplace from 1612.  Today there is a mask of the beheaded King hanging from a chandelier in the stairwell.  A bit grim, but appropriate nonetheless.
     We stopped in Taafees and a few other pubs before finally finding the Quays which had a table open.  The venue was really interesting, with three levels and stairs all about.  We found a table in the lower level, but to get to it, you walk past the bar, down some stairs, underneath the main stage.  The band was playing music literally suspended above the bar, and we sat below the stage, still able to hear them.
     After a relaxing pint, we headed back to the hostel for some welcome sleep.

Day Thirty-Seven - 17/10/2012 - Cork

     Today marked the end of my burn phone's unlimited texting, until I paid another €20.  The more interesting part of today was when I discovered what is, by far, my favorite cafe in Cork.  Named "The Bookshelf", it doesn't look like much.  Located on Pembroke Street, along a blue wall at the end of the street, a small column-lined door, bearing the title "Cork Library 1792" marks the entrance to this modest little cafe.  Inside, it is anything but modest.  An extremely comfortable array of armchairs, couches, and the like litter the ground floor.  A small, private area upstairs forms the perfect study perch.  There is a low table, easily capable of supporting a laptop and books, with a glass window allowing you to look down unto the cafe below.  Striking the perfect balance between cozy and modern, the upper level affords a nice view and a relaxing atmosphere.  A window sill, outfitted with a model ship, sits across from large bags of half-opened coffee beans, serving as a functional decoration.  They have some of the smoothest, yet richest espresso I have yet tasted, and they make all of their drinks with two shots to boot.  I cannot personally vouch for the quality of their other coffees, as I prefer my coffee black (but in Europe, the macchiato, or espresso with a splash of foam, is a favorite), but Meng vouched for the quality of their mocha.  A great place to study, to sleep, to talk, or just drink coffee, I will definitely be returning to The Bookshelf.

Day Thirty-Six - 16/10/2012 - Cork

     Every city has its quirks.  Cork has its fair share.  The oldest piece of free-standing street furniture in Cork is a cannon, protruding about 1,1m from the pavement on the corner of the Grand parade and Tuckey Street, just outside Bishop Lucey Park.  Nobody knows what its intended purpose was or how it wound up stuck in the pavement.
     A local historian Michael O'Leary guessed that the cast-iron gun may have served as a bollard against cart wheels, but also noted wear on the cannon consistent with use as a mooring post for ships, when St. Patrick's was a quay before the water channels were filled in.  It is even possible that the cannon was intended as a street ornament.

Day Thirty-Five - 15/10/2012 - Cork

     After class this morning, Meng and I went to the English Market to get groceries.  Before buying anything though, we ventured upstairs to try the Farmgate Cafe.  The Farmgate had originally opened as a family restaurant in Midleton, and then eventually opened another location above the English market.  There is a cafe and a restaurant, both with seating that offers views of the bustling market down below.  The restaurant even features a piano balcony.
     After a lovely brunch, we headed down to get a loaf of buttermilk soda bread (which I finished in an alarmingly small number of days) and streaky rashers.  The gourmet sausage stand tempted me once again, and I got some "Cork Boi" sausages, made with Murphy's stout.  Finally, one of the meat stands sold chicken wings at an amazing price: 20 pieces for €2.50.
     Today, among other things, was also Alex's birthday, although he had decided to make his own food at home before we had a chance to invite him to dinner.  We all met up and bought him pints at An Brog, a nice little pub that was featuring trivia night (we got 6th place out of 12, not bad for only having one Irish guy in our company).

Day Thirty-Four - 14/10/2012 - Cork

     A city as old as Cork is bound to have a few dark marks on its history.  The bustling St. Patrick's street, home to many stores, and thriving center of commerce and entertainment today, was leveled during the War of Independence.  On the 12th of December, 1920, Saint Patrick's Street laid in ruins, the embers of a still-burning fire all that remained of many of the buildings.  The statue of Father Matthew stood watch over the wreckage of a once-great street.
     The night before British forces deliberately set fire to several blocks of buildings on the street.  During the course of the fire, the City Hall and Carnegie Library were burned to the ground.  In addition to the loss of the physical buildings, years of records, and collections of books were lost.
     Eye-witness accounts recall British troops setting fire to the buildings, but a full public investigation was denied by the Chief Secretary Sir Hamar Greewood, marking the political climate of the time.  A later British Army enquiry officially placed the blame on renegade members of a company of Auxiliaries.
     The present-day Dunnes Stores red-brick building was the only building in the whole block to survive the fire.

Day Thirty-Three - 13/10/2012 - Cork

     Meng and I headed to the Crawford Art Gallery between classes today.  The Crawford, on Emmet Place, is a fairly extensive art museum with free admission.  The first floor housed an impressive collection of sculpture, most being plasters of Greco-Roman works.  Many of the sculptures were casts made by Antonio Canova circa 1816 from the Vatican originals.  There is something of an interesting story in the way that cork came to be the home of these casts.  Canova had made the casts of the Vatican sculptures for a French collection after the defeat of Napoleon, and had made extras.  These were presented to the Royal Academy of London, which did not accept them due to a lack of space.  They stayed at the London Custom House, a gift for the Prince Regent of England, who did not really want them, and eventually housed the set of over one-hundred sculptures in a large tent at the Carlton Gardens, the prince's residence.  A student at the Royal Academy of London overheard that the statues were sitting there, and immediately notified Lord Listowel, a friend of the Prince Regent and a patron of arts in Southern Ireland.  Listowel asked if he could house them, and shipped them with haste to Cork.  They were put on display in the old Apollo Theatre on Patrick Street.  The Crawford acquired them as the Old Custom House in 1830.
     The museum was featuring an exhibit of the work of Seán Keating, who made numerous paintings, establishing what some would call an Irish school of art.  Many of his paintings focus on subtle differences.  For example, a painting of a solitary man in farmer's garb, looking slightly hopefully into the eyes of the observer, is titled Man of the West.  Adjacent to this painting in the gallery is Men of the West, showing the recognizable farmer, now in a working man's outfit, holding a rifle, with two armed companions, looking alertly into the distance.  On the next wall is Men of the South, depicting IRA men, all armed, preparing to ambush the enemy.  The subtle differences in his paintings illustrate a psychological portrait of the people of Ireland in his lifetime.
     The museum also featured a screening room, which was playing a short film by Martin Healy entitled Last Man.  The film was made in the decommissioned international terminal of the Cork Airport, showing a janitor cleaning empty seats, and dusty floors.  There is a complete lack of people and airplanes as he goes about his duties.  The film is based on a Mary Shelley novel in 1826 that looks at what man would be like if he were the last man on earth.  The janitor builds model airplanes during his down time.
     The Crawford building itself was erected in 1724 as the Cork Custom House.  In 1830, the building was given to Royal Cork Institution (a predecessor of University College Cork).  It became the Government School of Design in 1850, and later extended in 1884 to accomodate students.  The extension was funded by William Horatio Crawford, lending the gallery its current name.  The School of Art relocated in 1979, leaving the building to be the Crawford Art Gallery.

Day Thirty-Two - 12/10/2012 - Dublin

     We woke up before the sun today to make the voyage back to Dublin.  The first thing I noticed upon walking outside was that the stars were as bright as they had been in the mountains in California, even here, in the second largest city in Ireland.  It was a brief walk to St. Patrick's Quay to catch the Aircoach to Dublin.  This bus had working WiFi and even a bathroom!
     Once arriving at Bachelor's Street in Dublin, the city looked much as I left it, but there were subtle changes that I could pick up, now less blinded by the novelty of it.  The Ha'Penny Bridge had been covered in small flowers as part of a volunteer campaign benefitting various charities.  As I wandered the streets I had wandered just a month before, I noticed another Lush cosmetics store selling their food-stylized products.  Walking through Temple Bar, I noticed a T.G.I.F., the first one I had seen here.  There was a Captain America's, in the same style as Cork's.  Continuing south, we wound up in St. Stephen's Green to see the ducks and grey swans in the early morning light.  After a bit of enjoying the greenery, we stopped for a quick coffee.  I got a chance to read the Irish Independent.  The newspaper mentioned that Conan O'Brien, who had recently talked to students at Trinity College (some of my orientation friends got to see him), was filming a segment at the Guinness Storehouse, one of the intended destinations for the day.
     We walked back through the city to the National Museum near Heuston Station.  The National Museum comprises three buildings, all free, the one near the train station being dedicated to the decorative arts and history.  The building itself is a massive, three-storey building enclosing a central square.  It used to be the Royal Barracks in 1702, but was renamed Collins Barracks in 1922, after the Irish acquired it.  It became the national museum in 1993.  The square still contains signs on each facade marking the paces from 0 to 100, an aid for drills and exercise.
     The first exhibit we entered was the curator's collection, a sample of pieces hand-picked by the curators with explanations of why they were chosen.  One of the most interesting pieces in the exhibit was a medieval organistrum, a predecessor of the hurdy gurdy, and the first string instrument.
     The next exhibit was called "Out of Storage" which was two storeys of glass cases containing different pieces from the museum's permanent collection that were on a rotation due to a lack of space in the exhibits. Given the size of the museum the magnitude of the collection became apparent.
     The next exhibit was a 1000 year history of currency and coin in Ireland. The coins were coupled with various medals awarded for religious, political, or commemorative reasons. Coins were used for political purposes among others.  Some mints incorporated Irish symbols to protest the British government. Various communities used different coins or other currency, sometimes even cardboard, to stem local depressions or to benefit a family or region. James II, during the Williamite wars, issued gun money, so called because it was said to have been minted from melted down guns. The gun money was in base metals such as copper that could be exchanged for silver after his victory, employed as a kind of loyalty program for support of his cause. James never won the war. The exhibit also featured signs that explained the relative values of pennies, farthings, shillings, and crowns at different point in history. Depending on the value of coinage, it was common practice to cut coins in half or even quarters and use them for their rendered value.
     The next exhibit featured furniture.  There were multiple pieces that you could touch, including a carved oak table leg from the 1600s and a pewter candlestick from the 18th century.  A Killarney box, named for the region famed for its inlaid wooden work, was on the touch-able display as well.
     The next few exhibits featured silver pieces, including a snuff box on the form of a castle, and a small commemorative vessel containing the charter for Cork city. There was an extensive collection of monstrances with intricate embellishments and decorations.
     The rest of the exhibits featured clothing, jewelry, the lacquer work of Eileen Gray, and finally a collection of Chinese art from Albert Bender, a Dubliner and an enthusiast.  Eileen Gray designed furniture, her most famous piece being the E1027 table.  Much of her work is in lacquer, a type of wood finish that is quite intensive to make.  Gray made and experimented with her own types of lacquer, pioneering a lot of the work in the area.  Gray designed furniture from the 1940s to 1960s, making significant progress in the Modern Movement.
     On the way out of the museum, I took a brief look into the soldiering exhibit which traced the history of warfare in Ireland from participation in the British army to the American Civil War. That part of the exhibit had three rifles that you could hold and aim. I tried a Lee-Enfield on for size.
     At this point, Andrew and Melina had arrived at Heuston but met us at the museum. Alex came in on his train and we all headed south to the Guinness Storehouse. When we arrived, there was a sizable queue outside but it passed fairly quick. As you cross the threshold into the lobby you are greeted by the much larger queue to get tickets. It felt a bit like the queue at Disneyland. The ticket seller asked what country you hail from, apparently to track tourist interest in the building. The Storehouse has been converted into a seven storey "experience" next to the adjacent brewery. The building itself is shaped in the form if a giant pint glass, able to hold 14,3 million pints if it were filled. The tour covered the simple five-ingredient plan for Guinness, including barley, water, hops, and yeast. The fifth ingredient, you ask? The master brewer himself and his expertise.
     The tour entitles you to one free pint of Guinness, which you can redeem on the seventh floor "gravity bar" which has a 360 degree panoramic view of Dublin or at two other places within the Storehouse.  One of those places was on the fourth floor, where you could pour "the perfect pint".  There was a brief tutorial, which explained the basic steps of pouring a pint of Guinness.  It is actually achieved in two pours, the first forming the characteristic creamy head, and the second filling the glass.  The basic procedure is to hold the glass at a 45 degree angle to the tap, and pull all the way down, including as much nitrogen gas as possible in the pour.  As the glass fills, you slowly bring it to level, and stop when it is about three-fourths full.  This is the critical part, you must let the pint sit to settle.  During this time, the nitrogen and carbon dioxide within the beer floats to the top, settling in the thick head.  Once the stout appears deep ruby red (they are careful not to let you say black) you may resume the pour, with very little pressure on the tap, filling the head proud of the glass, forming a small dome.  After successfully pouring (and later drinking) a perfect pint of Guinness, I got a certificate detailing my achievements.  Conan never showed up.
     We finished off the night in Temple Bar, meeting Kevin, one of the students studying at Trinity College.  We watched some football in Busker's, where we also caught the end of some live music.

Day Thirty-One - 11/10/2012 - Cork

     It had rained all night, the hardest and longest rain I had yet seen in Ireland.  When I woke up this morning, the Lee was running a mute latte brown.  Indeed, it remained that colour the entire day.
     I fulfilled a personal goal today while in Coffee Station, the cafe outside the main gates to campus.  I read the Cork Independent, my first Irish newspaper.  The newspaper focused, obviously, on County Cork, covering stories about a new Dairygold milk processing facility to a charity dog show.  I was also forming an inkling of political process in Ireland.  It also had some interesting reviews of local pubs and some details about upcoming Jazz Festival events.

Day Thirty - 10/10/2012 - Fota Island

     Seeing as I do not have class on Wednesday, I decided to take advantage of it and get out to explore even more of the surrounding County Cork.  Meng and I took a train to Fota, a very small, one-platform station on the Cork-Cobh route.  The first thing I noticed as we got off the train were the fenceposts surrounding the tracks.  One side had been painted yellow with black spots, reminiscent of a giraffe, while the other side was white and black stripes, like a zebra.  Literally within 100m of the train station was the entrance to Fota, and apparently the only spot of major significance serviced by the train station. A massive, two-panel gate, striking visions of Jurassic Park, rose to meet us.  We bought our tickets and entered.  Fota is a wildlife park, known for its free-ranging animal exhibits.  All of the docile animals are free to roam the entire park, and frequently do, being wholly unintimidated by humans.  The less friendly or territorial animals are on small islands within the park, free to roam within their allotted space.  The truly dangerous animals are kept behind electric fences (it must be a tribute to Jurassic Park) to keep the visitors safe.  The very first mini island contained flamingos, dutifully standing on one leg, and monkeys, of which there were far too many species for me to identify.  Within a moment of entering the park, a large peahen crossed paths with us on the road, dwarfing the swans of Cork.
     The main lake area contained moderately sized islands completely inhabited by monkeys.  There were several species on each island, co-existing, although as we were walking by, there was a great commotion.  Some of the monkeys had formed a group and began screeching and howling at an apparent newcomer to the group who was chased around the island.  This altercation lasted several minutes, repeating itself throughout the course of the day.  The area between the monkey-island-containing lakes was filled with  Wallabys, Kangaroos, and very large rabbit-like rodents called Maras.  The kangaroos in particular were very calm and would let you get close enough to pet them (although actually petting the animals was prohibited).  The park does contain some more traditional habitats with enclosures.  One such enclosure contained two gigantic Sea Eagles and a Harbour Seal.  Another housed some thirty Humboldt Penguins, waddling and swimming around.  They also started vocalizing with you if you gave them a bit of attention.  As I was making music with the penguins, a loud whooping call rose from one of the monkey islands.  The remarkably loud, otherworldly sound lasted about 15 minutes.  I later found out that the noise was emitted by Siamang Gibbons, who use the vocalizations to reinforce pair bonds and establish territory.  It turns out the the park has two teenage monkeys living on a separate island from their parents, and the calls help them communicate.
     The rest of the park was similar to the San Diego Wild Animal Park in that it had large fields with the more savannah-inhabiting species.  Giraffes, bison, zebras, and even two cheetahs roamed behind electrified fences (I expected the velociraptor exhibit to show up any minute).
     Outside of the actual animal park are the Fota gardens and House.  The Fota Estate has been owned by the Fota family for over 200 years, and sits at the end of a long driveway overlooking an impossibly green pastoral country road, that was eerily shrouded in fog.  If you recall from an earlier entry, the Market House in Cobh, some 6 km away, was built with funds from James Smith Barry in 1852, a Fota himself.  The Fota House was closed for the season, but the formal gardens and the arboretum were open to the public, and free.
     The name Fota comes from the Irish "fód te", meaning "warm soil".  Indeed, the Fota family collected many rare species of trees and plants that were cared for and displayed in the arboretum.  Today the arboretum contains some interesting features.  A stone circle containing a ring of black, high-backed wooden chairs facing inward marks one of the major intersections within the arboretum's walking trail.  This particular art piece reminded Meng of something out of Harry Potter, a sort of Death Eater conference table.  The arboretum also had a pond covered with lily pads and a fernery, literally, a section of gardens with stone caves and ferns.
     Fota Island proved to be a very enjoyable place to visit, and the extensive gardens would merit a return on their own, with the additional bonus of being free, like so much of Ireland's historical attractions.

Day Twenty-Nine - 9/10/2012 - Cork

     North Mall, the street on which I now live, has its fair share of history.  It was a Franciscan friary during the Middle Ages, known by many names.  Shandon Abbey, North Abbey, St. Mary's Shandon, and St. Francis Abbey, names that have all left their mark on the surrounding streets and businesses.  The friary was likely to have been founded in 1229 by the Diarmaid MacCarthy Mor, the King of Desmond.  Its ruins survived until 1836 when Abbey Square was built upon the old friary.
     Abbey Square was, and is, a rectangular block of housing open on the face nearest the river, probably built before 1787.  The current buildings are from the nineteenth century.  The friary contained a well, the waters of which were said to be curative and even able to restore the vigor of youth.  The Franciscan Well Brewery Pub that rests near Abbey Square, and a few metres from my house, contains the original fountain, the waters of which are still flowing.  The Franciscan Well was built upon the site of Guinness bottling in Cork in the 1920s, becoming the pub it is today.
     A short ways up the other side of the North Mall, on the walk I take to campus every morning is an old, bow-fronted building that is known as the Francis Wise house.  The man after which the house is named was a distiller, who established the distillery in 1779 at the end of North Mall.  It was bought by the Cork Distillers Company in 1867, and damaged by fire in 1920.  Now owned by UCC and the Mercy University Hospital, it is used for educational purposes.  The distillery rests at the junction of North Mall and Wise's Hill, the adjacent street being named for the family of Francis Wise as well.
     The bridge that crosses the river just by the route I take to school is the pedestrian St. Vincent's Bridge, built in 1875.  The bridge is named for the church that rests atop a westward hilltop, overlooking the North Mall.  So much history just resting on my doorstep.

Day Twenty-Eight - 8/10/2012 - Cork

     Had many hours of class today, and it started raining a bit hard. During lunch break, Meng stopped at the Dunnes Express on North Main to get a large umbrella. It is a huge, red and white umbrella (the colors of Cork), featuring the word Cork and the city coat of arms.
     Today, being Monday, meant it was time to once again take advantage of Bierhalle's half-off wings.  We finished up the night in the Franciscan Well, where I had Blarney Blonde, another microbrew available there. I also tried Rebel Red on cask, which had a much more distinct flavour, one I preferred to the tap version.
     While there, we bumped into Shaughn, one of the people I had met briefly from orientation. He is from Nevada, and came to see the lovey sic at the Franciscan Well that night. It turns out that he had met the Master Brewer of the pub, and being a home brewer himself, got invited to a private beer tasting on Friday. According to the staff at the pub, this was quite the honor.
     The band, called 1 Horse Pony, was a three-man one-girl blues band that literally sat down at a table with instruments and began to play. They were pretty good, and we stayed until they finished, the whole pub singing and clapping along for the last few songs.

Day Twenty-Seven - 7/10/2012 - Cork

     Went to Crane Lane in search of the monthly flea market. However, we found it deserted. Starting to think it might be a trick played on tourists.
     Having already walked into the city center and now with nothing to do, we wandered the nearby streets, looking into shops. There was an intriguing window display that caused our whole group to take a second look at what appeared to be some very scrumptious looking pastries and green rounds of cheese. Something was definitely amiss, but I would have to venture inside to figure it out. The store, called Lush Handmade Cosmetics, featured bath soaps and body soaps shaped like food items.  A confusing situation for the hungry traveller.
     Afterwards, Meng made a stop at Butlers Chocolate Cafe, famed for its hot chocolate. The hot chocolate was pretty much liquid chocolate, delighting Meng very much. We also sampled some of their truffle and chocolate selection.
     Walking back towards St. Patrick's Street, we passed a statue of a fireman holding a baby, only it was a living statue, painted bronze.
     At this point, we ha worked up quite the appetite and so stopped at Thomond's a bar serving purportedly traditional Irish food. I got some beef stew which came with delectable honey brown soda bread.

Day Twenty-Six - 6/10/2012 - Cobh

     Took the train to Cobh today, a small city on the water of Cork Harbour.  The train station terminates practically inside the port, or Deep Water Quay as it is called.  Just outside the train station at the head of the port, is a statue of Annie Moore and her brothers, the first person to have emigrated to America through Ellis Island.  Within moments of stepping off the train, the character of Cobh, formerly Queenstown, began to colour itself.  Some fishing boats and military ship lined the docks, berthed in a quay deep enough to harbour cruise ships.  One of those mammoth vessels was departing the bay as I arrived.  Meng and I headed east, along the coast, to the Promenade, known locally as the Prom.  This seaside park contains a gazebo dedicated to President John F. Kennedy.  On either side of the gazebo are large cannons, pointed to sea, captured from the Russian Army during the Crimean War and presented to the people of Queenstown by a Captain of a troop transport ship named the "Himalaya". These were not the only guns I would see today.  The Promenade also featured a sculpture of a man holding a paper boat in his hands above a basin of water, titled "The Navigator".  With Cork Harbour expanding in front of me, I turned to see St. Colman's Cathedral towering over the city, rising high above all of the visible skyline.  Presently, we continued along the coast, arriving at the clock tower, which was marked on the map, but was rather unimpressive.  In fact, it had been converted into Wan Fu Chinese Restaurant.  Journeying up, into the hilly city, we ventured toward the gothic spires.  Happening upon a dominating facade that took up three city blocks, I began the ascent up the many stairs that brought me closer to the ground level of the cathedral.  The impressive architecture loomed overhead, saints carved into the window adornments, images of Christ looking upon the city from the peak of the towers, and crosses spanning all visible faces of the structure.  There was even the odd flying buttress or two.  The railings surrounding the church grounds were in the process of being repainted by city workers, a mark of Cobh's dedication to preserving its historic past.  The wall fortifying the ascent to St. Colman's had its foundation stone laid in 1868, being completed by 1916.  The cathedral itself began construction in 1868 as well, being consecrated in 1915.  St. Colman's has a carillon sporting 49 bells.  The inside of the cathedral was breathtaking, not only in scale and grandeur, but in the complexity of each engraving, each chiseled image, and impossibly detailed stained glass.  To think that such a massive project was undertaken and completed with the relatively limited technology of the time begs one to consider what modern day feats may compare to this feat of engineering.
     After the beauty of the cathedral, we ventured outside and a few streets west to reach the high end of West View street, an iconic view of 23 Victorian style houses, all different colours, sometimes referred to as "The Deck of Cards".  The road is steeply inclined, meaning that each individual house is built on a different elevation.  At the base of West View street, we stopped at the public library, a very small, one-room library, that, perhaps unsurprisingly, featured many books about the Titanic.  The Library is inside of the Market House, built around 1806 for the Fota Estate, whose crest the building bears.  It currently houses the Library and the District Court.  In the middle of the courtyard formed by the Market House and the street that runs through it then splits in two lies a memorial for those who perished in the sinking of the RMS Lusitania in 1915.  The memorial contains an angel looking down upon two shiphands, expressions of agony on their faces.  A single rose laced with red ribbon lay at the foot of one of the sailors.
     We headed back in the direction of train station, passing a pub called Trade Winds.  There was a grease pencil drawing in the window of the Titanic with St. Patrick himself standing at the helm, shooting a green and orange magic laser beam at the iceberg that doomed the ship.  A little ways down the street was a massive propeller from a 1987 shipwreck, and it began to be apparent that this little port town has known its fair share of shipwrecks.
     We ascended the street from the train station up towards the Cobh museum, which was closed, and then up a staircase that reaches into the uppermost parts of the city.  They are known as "The Burma Steps", christened by British soldiers who had served abroad that used the stairs to return to barracks in the city.  At the top of the stairs, while expecting a bench or a park, we were instead greeted by a simple two-lane road, and very nice houses overlooking the bay and islands.  It felt like I had stumbled into the real Cobh, away from the tourist-laden attractions.  After a bit of walking through residential streets, we wound up back at West View street, and descended once more.  At this point, I did something I've never done before.  There was a public toilet on the street, a large black-metal contraption, in which you put coins, and a Star Trek inspired sliding door whooshes open to reveal a tidy water closet.  I was quite desperately in need of facilities, and I must say, the entertainment was worth the 25 Euro cent.  The bathroom even featured a sink that released soap, then water, then finally activated a hand dryer, all in the same space, in an attempt to automate hand washing.  I won't comment on its success.  At this point, we headed over to meet up with Alex and Julia, who had just arrived at the train station.
     Our group headed to the nearby docks to take a boat tour of Spike Island, a small island in Cork Harbour with an interesting history.  To get there, a group of about 20 of us got into a small sea-going craft and made the 15 minute journey around the width of the harbour to Spike Island.  The boat ride provided the opportunity for some really amazing photos of the city of Cobh.  We landed on a pier littered with empty shells dropped by the circling birds.  Our tour guide, who I would later find to be Dr. Michael Martin, began to explain that there are parts of Spike Island that showcase every significant period of Irish history.  He began by explaining that there had been a monastery established in 635 AD,  part of the ruins still standing today.  The island itself was gifted to the monks as a member of their order, a healing man, reportedly cured the King of Munster of a host of ailments, including a broken leg, a broken arm, one blind eye, and one deaf ear.  Later, in 1903, Nellie Organ was born to her soldier father and mother who lived in the barracks on Spike Island.  The house where she was born stands in relatively good condition, just inland from the beaches.  Her family immediately noticed something unique about the girl, who was highly devout and often talked of religious matters, despite her very young age.  She became something of a local celebrity in Cork, and people, including Nellie herself, eventually begged the bishop to allow her to receive her Communion early.  She had her Communion at 4, and sadly died before 5, but people today continue to travel to her grave in Cobh as a kind of pilgrimage.  She never was canonized, but Pope Pius X amended the age for Holy Communion from 14 to 7, being moved after hearing the story of "Little Nellie of God".  After walking past Nellie's house, we moved furthur into the small island, ascending its height.  A ways out from the fort, we stopped once again, where it was explained that Vikings had sacked the city in 1022, but later built a city that co-existed with the monastic city.  In 1199 there was a Norman conquest of the island.  From that initial conquest, the British presence remained on the island until 1938, when the very last groups of British soldiers moved from the island, under the terms of the Anglo-Irish Treaty that ended the War of Independence.  During the war, the island had been used as a prison, holding some 500 people.  It had been used as a prison once before that, during the Great Famine from 1845 to 1852.  The prisoners were mostly citizens of Cork, who had committed no other crime than hunting rabbits or squirrels in a desperate attempt at survival, convicted as poachers by the courts.  In fact, court cases during this time quadrupled.  In June of 1847, some 2.500 people were held on the island, with over 60% convicted for stealing food.  The conditions in the prison were so poor that dozens of people died a day, being buried in shallow graves on the southern side of the island.  At this point, Dr. Martin revealed that he had written a book about the history of the island, looking into things that had never been explored previously.  About a third of the island is taken up by a massive star-shaped fortress, named Fort Westmoreland by the British.  The large fort was not always as reinforced as it is in the present day.  After the 1776 American War of Independence, the British feared a trans-atlantic invasion, and sought to fortify their western seaboard.  Spike Island is strategically located right in the center of Cork Harbour, allowing for widespread defense.  In fact, it was said by many, including Dr. Martin, who served in the Navy, to be virtually impenetrable by marine invasion.  After the war of independence, the Irish renamed the fort to Fort Mitchel, after John Mitchel, a leader in the Young Irelander movement that was involved with the struggle for independence.  The island had one more period as a place of incarceration, when it was fitted to serve as a modern prison from 1984 to 2004.  There were plans to convert the island into a much larger prison, but Dr. Martin led a group that lobbied to preserve the history of the island, and restore it to some of its former glory.  His group has done just that, and uses the proceeds from the tours he puts on to help with restoration and upkeep of the island.  At this point, we had a little break, when I asked Dr. Martin what had interested him so much about Spike Island.  He said that he had grown up in Cork, and had always been interested in the island, and when he got to graduate school, he asked his advisor if he could complete his thesis on the island.  His advisor told him that it couldn't be done as there was simply not enough literature.  This only encouraged him further, and through a lot of digging and work, he was able to complete his thesis, and write his book, which is basically the only historical account of the island.  The tour of the island finished with a look into one of the gun bunkers, which housed a six inch gun aimed directly at the mouth of the port.  The gun was outfitted with a hydraulic system to fire the six-inch-in-diameter shells, but when this failed, the crewman could always resort to the backup system - "hand"draulics.
     After making landfall again on the docks, we headed next door to the Titanic Experience, one of the main reasons for tourism in Cobh.  It just so happened that the Titanic had set sail from Queenstown (now named Cobh) in 1912, making this the 100-year anniversary of its departure.  The museum began by presenting you with a boarding ticket, listing a passenger's name, age, and class.  Both Meng and I were in third class, or steerage, which, despite being the cheapest and least outfitted class, was considered luxurious compared to other fleets at the time.  Each room in third class had running water, something unheard of at the time.  The museum, or experience, as they like to call it, was on the cheesy side, having you follow a projected image of a captain onboard the ship as he showed you through the various rooms, and then a short video about the actual sinking.  The highlight of the tour came sometime in the middle, when you were brought outside, and realized that this was the actual White Star Line Ticketing Office, and all of the passengers who boarded the massive ship 100 years before had stood on the same platform upon which you were now standing, and had received their tickets from the same red-brick arched windows that you did.  Standing outside on what was the platform so long ago, the tour points out a dock, mostly destroyed now, that was the original dock used to board vessels that brought passengers to the Titanic.  The tour ended in a museum of sorts, with limited exhibits, but another cool feature was that you got to look up your passenger's name at the end, and see if you survived.  Both Meng and I survived the shipwreck.
     We finished the day with dinner at Trade Winds, observing the quirky window art from the other side.  I had a seafood-filled bowl of chowder, before we caught the train back home.

Day Twenty-Five - 5/10/2012 - Cork

     Today I happened upon a rather curious part of Irish history.  Theobald Mathew, who was known as Father Matthew, lived from 1790 to 1856.  He is most well known for his support and proliferation of the temperance movement.  He started the Cork Total Abstinence Society in 1838, advocating temperance.  He believed that the pledge must be made for life and must be a complete commitment to abstain entirely from alcohol.  He made considerable progress, the movement reaching a high of 3 million right before the famine in 1845.  This led to a marked decrease in crimes and murders.  The prison population dwindled, and there was an overall increase in public safety.
     Father Matthew made a visit to America in 1849, and he was invited to dine at the White House by President Zachary Taylor.  The House of Representatives admitted him unanimously to a seat on the floor and the Senate admitted him within the bar.  He traveled the United States, stopping in many places, causing the temperance movement to grow and grow.  After his visit, temperance societies continued to spread his influence.  He died in 1856 in Cobh, being buried in St. Joseph's Cemetery in Cork city, a church he established himself.
     Built in 1864, a statue honouring him stands at the head of St. Patrick Street, in the center of Cork City, as he looks upon the Lee, standing guard over one of the busiest streets in Cork.